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Wada architect plan in pune

  • Wada, it is appropriate to think about the elements that made it. First, it should be understood that the main theme they were planned and built on was the patio or “chalk” system Wada architect plan in Pune.

    The 18th century led to the creation of a beautifully designed and decorated mansion called Wadas, reflecting the aesthetic achievements of janvidevelopers. The creative use of functional spaces distinguishes them and gives them the elegance of a simple yet elaborate structure. His clean, pure lines give off a clear dignity.

     The main purpose was to provide light and ventilation inside the building. The walls are thick and there are few openings (probably to protect the inhabitants from enemy attacks and discourage looters). Wadas was completely designed, planned and constructed based on a modular system developed by Maratha architects and was based on a square diamond pattern.

various Wada architect plan in Pune

  • The floor plan of the upper floors consists of a beautifully decorated corridor known as diwankhanas. It is used by the inhabitants for a variety of purposes and is elegantly decorated with highly polished wooden columns called Suldar Kambu and a central row of pointed arches called Mahira Pikamani Wada architect plan in Pune.

  • While the floor was covered with a floor covering, they were ventilated by decorative wooden windows with small mahirapika mani. Darbar Diwankhana’s room above the front door was used for an official meeting attended by important guests. Singing and dancing performances were also introduced here.

  • Khasgicha Diwankhana, on the other hand, was aimed at family gatherings and private events. This room was also used for religious ceremonies and performances such as Puja and Casa-Kirtan.

 Wada architect plan in Pune by Janvidevelopers

  • Most Wadas had two courtyards, but some small mansions had only one. The largest and largest complex of the rich had up to 6 or 8 chalks. Obviously, social and political status and economic capacity define the owner’s living space and the number of “sections” he needs to determine his standard of living Wada architect plan in Pune.
  • As a result, each plot of Wada was arranged according to its importance, used for a specific purpose, and named after the appropriate name. Usually, the front or entrance court, Phadacha Chowk, was used for official management purposes, and the courtyard or backyard, Khasgicha Chowk, was a private home space.
  • The guard’s whereabouts, Devadi, took the form of two small platforms in front of Wada and on either side of the front door. Just inside the front door was a sari consisting of two large terraces. Both were part of an open bungalow gallery built along all sides of the courtyard. Visitors in respected positions usually sat in this space.
 

Top Wada architect plan in Pune

In addition to these two prominent Diwankana, one or two rooms have been created for the family. Beautiful paintings decorate the walls, columns, beams and even ceilings, and the flora and fauna are painted in vibrant colors. Other areas of Wada, especially the area above the rear, were used as private rooms, dormitories, and women’s dormitories. These and other interiors were illuminated by bronze pole lamps Handia, Zamba (chandelier) and Samai. There was also a fana hung from the ceiling on a copper chain.

Of course, beautification was limited to the outside as well as the inside. Plasterers, decorative windows, carved mahirapi arches, and often façades formed bare brick walls. These buildings are two or three floors (few are four floors) and have a ballad warrior on the top floor Wada architect plan in pune. It was a kind of “attic” and also functioned as a gazebo. In the second half of the 18th century, several impressive mansions were built with fenced walls. Peshwabara Jibajirao, or Nanasaheb, began this tradition by building a wonderful Wada in Pune, known as Shaniwawada, Chimanbag.

  • Janvidevelopers Wada established the Peshwa-style Marathi architecture. Known for its highly fortified walls surrounding a large square with gardens, ponds, fountains, reservoirs, wells, stables, livestock barns and watchtowers.
  • The most important of these was the dignified Wada. With the establishment of the landmark, he began making wadas in cities where several Marathi sardars, aristocrats and wealthy citizens lived, and gradually spread his style to Marathi territory. But it didn’t stop there, but rather leaked to other levels of society.
  • This tendency has taken root, and Wada’s fashion statement quickly became a common heritage, with the emergence of households with dignity even with a single meal. Therefore, Wada’s tradition was at the core of architectural history.